Jinglan Bay Art
Museum for China Resources Land South China Guangxi Co.
The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, Designer thinks it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures. Designer imagines that walking through the interior of the building is like a mountain climbing practice, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
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Jinglan Bay Art by Nic Lee
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Jinglan Bay Art Museum Press Releases
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Jinglan Bay Art Museum Media Articles
We provide articles ready for publication on Jinglan Bay Art , offered in several languages: Russian, Hindi, English, Spanish, French, Italian, German, Chinese (Mandarin), Dutch, Portuguese, Indonesian, Japanese, Arabic (Standard), Turkish and Korean.
Unique Properties
The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Tags
sales center, landscape, museum, indoor architecture, interior design
Production Technology
In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Design Challenge
By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Project Duration
The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Operation Flow
Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Research
Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Inspiration
The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Image Credits
Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022. Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022. Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022. Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022. Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Project Overview
Jinglan Bay Art Museum has been a Silver winner in the Interior Space and Exhibition Design award category in the year 2023 organized by the prestigious A' Design Award & Competition. The Silver A' Design Award celebrates top-tier designs that embody excellence and innovation. This award acknowledges creations that are not only aesthetically pleasing but also highly functional, reflecting the designer's deep understanding and skill. Silver A' Design Award recipients are recognized for their contribution to raising industry standards and advancing the practice of design. Their work often incorporates original innovations and elicits a strong emotional response, making a notable impact on the improvement of everyday life.
Silver Recognition
Nic Lee was recognized with the coveted Silver A' Design Award in 2024, a testament to excellence of their work Jinglan Bay Art Museum.
Nic Lee Press Releases
Explore the world of Nic Lee through our press releases, designed for media members to use freely and enrich your content. Immediate access is granted to 4 press releases for all journalists.
Jinglan Bay Art Museum: A Unique Blend of Nature and Architecture
Award-winning designer Nic Lee unveils the Jinglan Bay Art Museum, a groundbreaking museum concept that seamlessly integrates nature and architecture in Liuzhou, China, in August 2022.
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